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Alex McQuilkin
*1980 Boston, Massachusetts
1998-2002 BFA, New York University, New York, USA
2006–2008 MFA, NYU
Steinhard School, New York, USA |
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Einzelausstellungen
2009 I Wish I Was a Beam of Light, Galerie Adler, Frankfurt am Main
2008 Romeo and Juliet, subZONE Galerie Adler, Frankfurt am Main
2007 Joan of Arc, Marvelli Gallery, New
York, USA
2006 Live Through This, Marvelli
Gallery, New York City, USA
2005 New Media
Wall, Tufts University Art Gallery
Aideman Arts Center, Medfort, MA, USA
Test
Run, Marvelli Gallery, New York,
USA (mit Angela Strassheim)
2004 Tragically
Sweet, Galerie Adler, Frankfurt am Main
2003 Double
Life: Alex McQuilkin; Trine Boesen, 404 arte contemporanea, Naples,
Italien (mit Trine
Boesen)
Gruppenausstellungen
2011 Deperate Acts, Columbia University Macy Art Gallery, New York, USA
(curated by Maurizio
Pellegrin and Gerald Pryor)
2010 Höhepunkte der Kölner KunstFilmBiennale in Berlin, KW Institute
für Contemporary Art, Berlin
Hip & Cool, Fundación Marcelino Botín, Santander, Spanien Gewalt, Kunstverein Wolfsburg, Wolfsburg Mother, NYU Steinhardt Commons Gallery, New York, USA
Julia Stoschek Collection - I want to see how you see,
Deichtorhallen, Hamburg Crystal Pantomime, St. Mark's Church, New York, USA
2009 On Portrait – 01, Kunstagenten Gallery, Berlin
Radiografias 09, Centro de Cultura Antiguo Instituto,
Gijon, Spanien
Kunst Film Biennale Köln, Köln / Bonn
East Coast Video, Ramis Barquet
Gallery, New York, USA (with Rashaad Newsome,
Caraballo-Farman, Kate Gilmore &
Jamie Diamond)
Höhepunkte der Kölner
KunstFilmBiennale auf Tournee, KW Institute for Contemporary Art,
Berlin, Deutschland - Museo Nacional
Centro de Arte Reina Sofia, Madrid, Spanien - Centre
Pompidou, Paris, Frankreich
talk talk. Das Interview als
künstlerische Praxis, Hochschule für Grafik und Buchkunst, Leipzig,
- Kunstverein Medienturm, Graz, Austria - Galerie 5020, Salzburg, Austria
(curated by Marc Ries)
Talk Dirty to Me, Larissa Goldston
Gallery, New York, USA
That's Just the Way It Is, Marvelli Gallery, New York,
USA
2008 Diana und Actaeon.
Der verbotene Blick auf die Nacktheit,
Museum Kunstpalast,
Düsseldorf
Number Two: Fragile, Julia Stoschek
Collection, Düsseldorf
Busan Biennial, Korea
VIDEOCRACY,
tina b. 2008 The Prague Contemporary Art Festival, Prag,
Tschechische Republik (curated
by Micaela Giovannotti)
2007 Look Away, Cynthia Broan Gallery, New York, USA
12th Biennial of Moving Images,
Centre pour l’image Contemporain, Saint Gervais,
Genève, Schweiz
Teenage Kicks, Vegas Gallery, London,
UK
Aggression, Kunsthalle
Winterthur, Winterthur, Schweiz (with Marc Bijl, Stefan Burger, Centre
of Attention, Brice Dellsperger, Tom
Ellis, Joep van Liefland, Alex McQuilkin, Laura
Parnes, SIS.TM, Sündikat, Alejandro
Vidal)
KunstFilmBiennale Köln, Köln
Gefühlte Temperatur ...,
Kunstverein Langenhagen, Langenhagen
Into Me/Out of Me, MACRO - Museo d'Arte Contemporanea Roma,
Rome, Italien
Je suis une bombe, Von der Heyd Museum, Wuppertal / Kunsthalle
Barmen
Final Cut, Kunsthalle
Dominikanerkirche, Osnabrück (curated by Hermann Nöring, Paul
McCarthy, Candice Breitz, Bjorn Melhus, Mischa Kuball, Christoph Giradet
and others)
2006
VIDEONALE Bonn, Ernst Museum´s Dorottya Gallery,
Budapest
When the Revolution
comes, Kathleen Cullen Fine Arts, New York, USA
America. How
Contemporary Artists see the USA, Figge von Rosen Gallery, Köln
Video Heroes, CGAC, The Contemporary Art Museum of Santiago de
Compostela, Santiago de
Compostela, Spanien (curated by Javier Duero)
Into Me/Out of
Me, KW Institute for Contemporary Art, Berlin (curated by
Klaus
Biesenbach)
Into Me/Out of Me,
P.S.1 Contemporary Art Center, Long Island City, USA (curated by Klaus
Biesenbach)
HER-SELF, Ritter/Zamet
Galerie, London, UK
Lo último de Nueva
York, Museo Reina Sofia, Madrid, Spanien
Coolhunters. Jugendkulturen zwischen
Medien und Markt, Budapeset Műcsarnok Kunsthalle
Ungarn
Youth of Today,
Schirn Kunsthalle, Frankfurt am Main (Kuratoren Max Hollein,
Matthias Ulrich)
2005 Corpus 05
Brügge, Musea Brugge, Belgien
Video/ökonomie,
ZKM |Zentrum für Kunst und Medientechnologie, Karlsruhe
Realities III:
Exeptions, Fotogalerie Wien, Österreich
Poesia in forma di rosa: tribute to Pasolini, Galleria Comunale d’Arte
Contemporanea
Monfalcone, Italien
Ratatouille, 20.21 Galerie Edition Kunsthandel, Essen
First We Take Museums, Museum of Contemporary Art
Kiasma, Helsiniki, Finnland
COOLHUNTERS.
Jugendkulturen zwischen Medien und Markt, Künstlerhaus Wien, Österreich
Vicious, Jack Hanley Gallery, San Francisco, USA (curated by Liz
Mulholland)
Dead kids do nothing, 31 Grant, Brooklyn, USA (curated by Adam Stennett)
Himmelsbilder,
Dommuseum zu Salzburg, Salzburg, Österreich (curated by Dr. Peter Keller)
Videonale
10, Kunstmuseum Bonn (curated by Georg Elben)
boost in the shell, Cultural
Center of Bruges (with Jake & Dinos Chapman, John Isaacs, Bruce
Naumann a.o.),
Belgien
Nocturnal
Transmissions, curator´s office,
Washington, USA (curated by Andrea Pollan)
COOLHUNTERS. Jugendkulturen zwischen Medien und Markt, ZKM | Center for Art and
Media, Museum
Karlsruhe, Deutschland
Charmed,
The Lower Eastside Girls Club, New York (curated by Michael St. John,
Jason Duval)
orgien,
voelcker & freunde galerie, Berlin, Deutschland
unspeakable,
Aeroplastics,
Brussels, Belgien
2004
Body,
Gimm Eis, Copenhagen, Dänemark
Black,
Marvelli Gallery, New York, USA
Short Histories
Of Video, John
Hansard Gallery, University of Southampton, Southampton, UK
Like a Virgin,
Eastern Edge, St. John's, Canada
Pulse Of America,
Aeroplastics, Brussels, Belgien
2003
Without
Fear or Reproach?, Witte Zaal, Gent, Belgien
Foreplay, Ritter/Zamet,
London, Großbritannien
Meanwhile In the
Real World, Chapelle de la Sorbonne, Paris,
Frankreich
Female Turbulence,
Aeroplastics, Brussels, Belgien
De Cuerpos y Almas:
Pornografias 03, Galería de Arte Carmen De La Guerra,
Madrid, Spanien
Interdit aux moins
18 ans, Galerie Une, Neuchâtel,
Schweiz
Luxurious, Galerie
Clairefontaine, Luxemburg
No Platform Just
a Trampoline, Marcus Ritter Gallery, New York, USA
Emergencias,
Galería de Arte Carmen De La Guerra, Madrid, Spanien
Le Printemps Extra
Large Festival, Espace Cambre, Brussels, Belgien
Bad Girls,
Ikon Ltd./Kay Richards Contemporary Art, Santa Monica, California,
USA
Scope Video and
Film Festival, -Scope New York, The Dylan Hotel, New York, USA
2002
Cabaret Electronico, Galería Carmen De La Guerra, Madrid, Spanien
Porn Ar(t)ound
the World, KC nOna, Mechelen, Belgien
Room For a Revolution,
Deluxe Projects, Chicago, Illinois, USA
Manifiesta
2002, La Casa de Campo de Madrid, Madrid, Spanien
Strip and Tease,
Aeroplastics, Brussels, Belgien
Permanent Vacation:
Senior Show 2002, Rosenberg Gallery, N.Y. University, USA
2001 Pixel Vision, Void, New York, New York, USA
Reflect/Refract,
Mickey's Blue Room, New York, New York, USA
1999 Jungle Juice, No Malice, New York, New York,
USA
Sammlungen
Julia Stoschek
Collection, Düsseldorf The Moscow Museum of Modern Art, Moscow,
Russland Knoxville Museum of Art, Knoxville, USA Collection
Hugo & Carla Brown, Den Haag, Niederlande Collection Eric Decelle, Belgien Collection
Olbricht, Essen Collection Plum, Deutschland
Mobley-Springmeier Collection, Schweiz und Deutschland Collection
Reydan Weiss, Essen
Bibliographie
Number
Two: Fragile, Julia Stoschek Collection, Hatje Cantz, 2009, S. 231-244
Frankfurter Allgemeine Zeitung, Juni 8, 2009, Posen, Blick, Tränen, by
Christoph Schütte, p.35
The Brooklyn Rail, October 2007, Alex McQuilkin: Joan of Arc, by Thomas
Micchelli
The New York Sun, November 1, 2007, Double Dose of French Film, by David
Cohen
Village Voice, April 28, 2006, Desperata, by Jerry Saltz
Olbricht -
MOST WANTED. The Olbricht Collection. Some Recent Acquisitions,
Hrsg. von
Axel Heil &
Wolfgang Schoppmann,
Nachwort von
Thomas
Olbricht, Köln
2005
Artkrush.com, October 19, 2005 - Issue #17, One to watch: Alex McQuilkin,
October 19, 2005 - Issue #17
Der Standard, Austria, ’Der Ort ist die Straße’, Anne Katrin Feßler, July
22, 2005, p. 22
Regioartline>Kunstmagazin, June/July , p. 1
Frankfurter Allgemeine Zeitung, ’Wie man Insider ausgrenzt’, Dietmar Dath,
June 8, 2005, p. 42
ArtNet,
‘London in pictures‘, Ana Finel Honigman, 6.6.2005
Art, ‘Karlsruhe: Coolhunters - Wie die Halfpipe ins Museum kommt‘, May 2005,
p. 92
Stuttgarter Zeitung, no. 98, April 29, 2005, p. 31
Frankfurter Rundschau, April 27, 2005, no 97, p 15
Spiegel, Kultur, 17/2005, p 147
Art, Ute Thon,
’Mädchenkunst echt böse’, January
2005, p. 44-49
Frankfurter Allgemeine Zeitung, ’Pferdebilder und Lippenstift’, Christoph
Schütte, 18. October, 2004,
p.
50
Financial Times Deutschland, ’Punkvideos und rosarote Backfischwelt’, Judith
Borowski, 22. October 2004, p. 3
Lapiz, ’Alex McQuilkin’, Amanda Coulson, Nr. 206, October 2004, p. 86
Frankfurter Rundschau - plan.F, ’So beeinflußbar’, Marc Peschke, 37-2004, p.
15
MONOPOL Magazin für Kunst und Leben, August/September 2004, p. 126
ProArts.at, ’Alex McQuilkin - Tragically Sweet’, Andrea Sedlaczek, September
2004
Portalkunstgeschichte.de,
’Teenage-Daydreams
and Suicide-Chic’, Uta Parsche, 09/04/2004
Flash Art, ’Alex McQuilkin – Smells like teen spirit’, Michael Cohen,
March-April 2004, p. 94-95
ArtNet,
‘Gotham Dispatch,’
Max Henry, 19. March, 2004
ArtNet,
‘Hot Toys For the Wealthy, Good Art For the Wise,’
Charlie Finch, 13. March, 2004
frieze, ‘Reviews: No Platform Just a Trampoline,’ Adam Mendelsohn, Oktober
2003, p. 124-125
Metropoli,
‘Arte: Almas de carne,’
7. August, 2003
Chueca,
‘Espectáculos: 'De cuerpos y almas:
Pornografías 03,’
Sebastián Alonso,
July
2003
Artforum,
‘Critics' Picks: New York; 'No Platform Just a Trampoline,’
Martha Schwendener, June, 2003
Suds and Soda,
‘Notes On Art: Wednesday 02 April,’
Arjette Hinke Schreuders, 2. April, 2003
ArtNet,
’The
Next Big Thing,’
Charlie Finch, 2. April, 2003
Exibart,
‘Trine Boesen e Alex Mcquilkin–Double Life: Napoli, 404 Gallery,’
Maya Pacifico, Feb., 2003
adrART,
‘404 arte contemporanea, Napoli: 'Double Life: Trine Boesen e Alex
McQuilkin,’ January 2003
Le Journal
des Arts, ‘L'art et son marché: Une foire jeune,’ Adrian Dannatt, April,
2002, p. 21
The Art Newspaper, ‘Raunchy Merchandise On Virtually Every Stand,’ Adrian
Dannatt, April 02, p. 37
likeYou.com,
'Strip and Tease': Nudity With Something Else,’
Pierre-Yves
Desaive, May-July 2002
ArtNet,
‘Weekend Update,’ Walter Robinson, April, 2002
New York Arts Magazine,
‘Post Sept. 11: Eroticism In New York,’ L.P. Streitfeld, April 2002
The Free Biennial,
‘Projects: 'Permanent Vacation;'
April 2002
The Art Newspaper,
"Raunchy
Merchandise On Virtually Every Stand,"
Adrian Dannatt, March,
2002
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