the ghost painter – mediating between...
with “귀신
birds sanctuary” painter and street artist emeli theander continues to
follow traces of outsiders and freaks, diving into worlds inhabited by
ghosts. what connects these figures is their existence at the margins of
modern imagination. the question of whether ghosts exist, for whatever
reason, stuck between this or another world, or whether they are mere
products of our imagination, is not one theander's work seeks to answer.
real or not, her interest lies in their poetic potential, as catalysts for
imaginative scenarios. thus in the actual process of painting, ghosts
become metaphors, for mediators between the realm of the real and the
imagined or even for the space ‘in-between’ they inhabit. the continuity
of referring to spheres at the margin of or between worlds shows a strong
fascination for ephemeral states in which vagueness dominates over fixed
meanings.
surprisingly the paintings themselves are detailed, like
careful visual reports of scenes actually observed. the tension of
ambiguity the paintings radiate might derive from the interaction between
different layers unfolded in each picture. ghosts are depicted as subjects
directed towards the viewer, in the background unidentifiable ghosts make
their appearance – even ghosts are haunted by ghosts. while ghost worlds
seem to be the natural setting for the paintings, it is another ensemble
of symbolic elements which create a layer of tension in the deciphering
process: birds. birds have a strong symbolic meaning in many cultural
contexts, sometimes not far away from that of ghosts. they are messengers
between worlds, symbols for bad or good luck, freedom or wisdom. in
theander’s world they seem to have a very specific function, namely to
mediate between the artist and the ghost worlds depicted in her paintings.
many of the figures in the paintings for this exhibition are
inspired by korean myths, ghost stories and other findings, like
photographs left behind in abandoned houses. the photographs are
fragmentary lost memories without a concrete connection point for a random
person. what remains is a vague feeling of past situations or the pace of
change itself. in using them as a source of inspiration in her paintings,
the artist weaves a net of meanings around these fragments and connects
them to the notion of ghosts as existences in-between. women and girls
with long hair, korean pre-modern costumes or the connection between birds
and shamans are all worked into the fabric of theander’s compositions. the
attempt to decipher her paintings leaves a lot of open questions and maybe
only one certainty – that in creating layers of meaning and focusing on
shifting processes between them, theander is mediating herself, between
ghosts and humans, and between imaginative scenarios and her paintings,
thus taking the position of a ghost~bird~ghostbird herself.
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